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Several years later, / another Japanese man visited
Monet. //
He was a painter / named Kojima Torajiro. // He thought /
that Japanese museums should include / great works of
European painters. //
He was in Europe / to find good paintings. // Monet welcomed him <span class='nw'>warmly</span>, / and promised to give him a
painting / in his series of <i>Waterlilies</i>. //
Monet finished it one
month later, / but it was too small for the museum. //
Kojima
asked Monet / to make a larger painting of <i>Waterlilies</i>. //
He said /
it was not for him / but to help young people / studying painting
in Japan. //
This painting by Monet / was taken back to Japan /
and is now in the Ohara Museum of Art, / which was founded
in 1930 / by Kojima’s friend, / Ohara Magosaburo. //
The <span class='nw'>collection</span>
had a strong influence / on Japanese painters. //
Eventually, / it
<span class='nw'>contributed</span> to the style of paintings / in the Meiji Era. //

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If Hokusai had not had a chance / to see some <span class='nw'>illustrations</span>
from the West, / his <i>[Thirty-six]</i>  <i>Views</i>  <i>of</i>  <i>[Mt.]</i>  <i>Fuji</i> / would never
have been produced. //
If Hayashi had not exchanged paintings
with him, / Monet could not have produced / the several series
of paintings. //
If Kojima had not visited Monet, / Japanese
paintings would have developed very differently / in that era. //
The encounter of the East and the West / through paintings / led
to the <span class='nw'>development</span> of art / both in Japan and Europe. //

答え
  • 小さいサイズ
  • 普通のサイズ
  • 大きいサイズ

Comprehension
〔A〕

1. answer

b

2. answer

a

3. answer

c

4. answer

b

答え
  • 小さいサイズ
  • 普通のサイズ
  • 大きいサイズ

Comprehension
〔B〕

1. answer

T

2. answer

F

3. answer

T

4. answer

T

5. answer

T

6. answer

F

7. answer

F

8. answer

T

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